Wow, over one year since my last entry. No sense writing too much about the void year, so I will simply summarize it as…corona sucked up most of the fun in 2021 and I will quickly enumerate my 2021:
studying Japanese (not hard enough)
scootered around Shikoku, Japan and got rained on for at least 7 hours but felt like 42.
got a new job / moved to a new city
joined a new basketball team (everyone is young and fast as hell)
started working out (cardio + strength training) seriously
lost 7 kilos
acquired a coffee addiction
learned that I really dislike packed trains
said goodbye to really special people
said hello to really special people
made a ton of music and left it on my computer for no one to hear.
Time for 2022…
2022 is the year of the book!
Currently, already four books are completed. I figured putting all my ideas on what I read up here wouldn’t hurt at all. It might even come in handy in the future.
The first time I read (BD), I was a university student and had been reading it for a modernism class. I remember liking it, but also found it incredibly challenging. I was utterly lost among McCarthy’s novel words and paragraphical long sentences.
Difficulty aside I found the characters extremely interesting. I don’t think I can compare any villain I have come across before to the Judge. Maybe Walking Dead’s season 6 Negan has the bits of the Judge’s sinisterism, but I will admit that they are not all that alike.
Reading it a second time…I still got lost in the paragraph long sentences, but that feeling of being lost had some vague familiarity this time. It was like a hazy déjà vu where I slightly felt I had been in this place before and was able to traverse my way through it. It is McCarthy’s grand, prolific, descriptions of landscape.
I recognize that rather than the characters and plot the landscape had a much more significant impact on me when reading. The descriptions of the desert and mountainous ranges are incredible. And to be completely honest there were several times I had to look up vocabulary to help complete the images in my mind, and even when confirming definitions, I sometimes still couldn’t grasp the meaning.
” That night they rode through a region electric and wild where strange shapes of soft blue fire ran over the metal of the horses’ trappings and the wagonwheels rolled in hoops of fire and little shapes of pale blue light came to perch in the ears of the horses and in the beards of the men.”McCarthy, Cormac. Blood Meridian, or, The evening redness in the West. , 1992. Print.
Writing that is simply focused on inanimate objects is no easy task. With that frame of thought writing exceptional well about inanimate objects to the point that your reader is in awe of that inanimate object is a very very special skill.
Ah and final thoughts, I am pretty sure I learned various vocabulary that I will never use in any of my writing, speaking and unless I read this book again will never come across it in another book.
I recently discovered a British documentarian named Adam Curtis. His latest documentary, which is a six-part series entitled Can’t Get You Out of My Head was released mid-February 2021. There was so much covered within the first part that I wound up watching it twice last night. I plan on watching the second and third part very soon.
The documentary covers numerous global historical events and individuals, that have had quite an impact/influence on the current state of society.
The opening. Video footage depicting numerous protests going on around the world, with narration explaining the rising frustration directed toward the wealthy elite. I thought this introduction undoubtedly captured the last few years of what is actually going on here on Earth. Shit is falling apart.
Favourite Historical Person Introduced:
Micheal de Freitas. His story seems very interesting. It seems as though he had a lot to do with the Black Power movement in London. I don’t know anything about the struggles of black people in England. From what I know about basic human traits I could conjecture that the fact that the British Empire stretched out as far as it did, there must have been resistance from citizens of England when brown immigrants from India, the Caribbean and so on started flooding in. No different than America with its criticisms on immigration currently.
Or I guess any country’s citizens afraid of their own erasure.
When I was watching the scene and there are a horde of English citizens holding an immigration reform protest in London. Gazing at the protester’s scowling, snarling faces; I couldn’t help but think of all the other groups, in history, of people that were terrified of their new neighbours that unexpectedly showed up. In many cases those terrified people were slaughtered.
No matter how much we try to convince ourselves we are different from others, believe me in the end some of our worst traits are identical.
Didn’t mean to turn this into a soapbox rant. Anyway this documentary is worth watching.
Wiki link: https://en.wikipedia.org/wiki/Can%27t_Get_You_Out_of_My_Head_(TV_series)
I’ve been reading Canetti’s Crowds and Power recently. I figure with the amount of protesting going on in the world, it only makes sense.
Whether America, Russia or most recently the coup d’ etat in Myanmar. Crowds seem to be popping up all over the globe. Canetti’s work highlights many of the significant impacts crowds have on their environment and I am finding that recent current events serve as a pragmatic example. It is almost like the world realizes I am reading Canetti’s work and is provided real-live representations. Though, I rather it not.
One topic I find interesting is flight crowds. You ever hear the term fight or flight? Think of crowds running from some kind of threat. Like some kind of natural disaster that has come and everyone is running for their lives. I guess the crowds depicted in Godzilla are pretty solid examples.
Here is one of my favourite quotes so far:
“No-one is going to assume that he, out of so many, will be the victim and, since the sole movement of the whole flight is towards salvations, each is convinced that he personally will attain it” (53).
Thinking about it, I don’t think I have ever been in a flight crowd before. But I do feel that if I was trying to avoid being disintegrated by Godzilla’s atomic breath, running in the middle of a large crowd would provide some relief, though not much. I have to agree with Canetti’s description, because I do think I would feel like I could escape and those around me had a higher probability of being picked off.
You ever watch a horror or thriller film where the main character is fleeing from someone or something trying to kill them and they’ll try to lose their predator in a public place. I always feel like if I was the main character I’d without a doubt lose my threat in the crowd. What is it about a crowd that makes us feel like that.
This is a long read, but you don’t have to read it from beginning to end. You can jump around and read at your leisure.
Have a look here.
Check out my man Alan Watts too. He got some great ideas.
Canetti, Elias. Crowds and Power.First Farrar, Straus and Giroux, 1984.